Columbia Journalism Review sums it up
“I didn’t trick him,” Capote countered. “We simply swapped stories. I
made up stories about what lushes my family were, and believe me, I made
them lurid, until he began to feel sorry for me and told me his to make
me feel better.” Capote would expand upon this technique to his
biographer, Gerald Clarke. “The secret to the art of interviewing—and it
is an art—is to let the other person think he’s interviewing
you. . . . You tell him about yourself, and slowly you spin your web so
that he tells you everything. That’s how I trapped Marlon.” In an
interview with Rolling Stone more than 15 years after the fact,
Capote observed, “You remember I told you how startled Marlon Brando
was? I hadn’t taken a note. I hadn’t done a thing. I hadn’t even seemed
to be interested.”
also
Some of Capote's misbehavior regarding In Cold Blood
Miller delivers a particularly grim vision of Capote: he seduces Perry
Smith and then betrays him, lying about the title of his book (which
would reveal that he was less sympathetic with the killers than he might
have seemed), and refusing to help the men find a new lawyer for their
appeals (because only when they were finally executed would Capote have
his ending).
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